Suggested:
Some artists are born into music, their paths paved with instruments and melodies from a young age. Others, like Bryce Bretherton, carve their own way through sheer passion and a relentless desire to create. Growing up, music was a distant dream for Bryce—he lacked musical training, couldn’t play an instrument, and admits he didn’t even have rhythm. But that never stopped him from envisioning himself in the world of music.
The son of TV personality Billy the Exterminator, Bryce had a unique upbringing, often finding himself backstage at rock concerts and meeting industry legends like STYX. It wasn’t until he crossed paths with Iris Colton—who invited him to collaborate on a song— that Bryce realized music wasn’t just something he admired; it was something he could do. Since then, he has wasted no time, releasing three tracks with eight more on the horizon, all crafted with his own unique artistic fingerprint.
A Dark Sonic Identity
Bryce’s sound is a fusion of electronic elements and a darker, introspective tone. He doesn’t limit himself to one theme, instead using his music as an emotional outlet for whatever he’s feeling at the time. Whether tackling religious trauma or exploring unsettling internal dialogues, his songs serve as a raw and honest reflection of his mind.
For those who listen closely, hidden references are sprinkled throughout his lyrics—subtle nods that only he or his closest confidants would recognize. It’s this level of personal storytelling that makes his music more than just sound; it’s a deeply coded narrative, waiting to be deciphered by those who dare to look beyond the surface.
The Ritual of Creation
Bryce’s songwriting process is anything but random. Instead, he follows a strict, almost ritualistic order: drums first, followed by bass, then guitar, electronic layers, and finally vocals. It’s a structured approach, yet one that allows him to fully articulate his emotions. His goal? To capture complex feelings in words and sound—whether they be euphoric highs or crushing lows.
While his process is methodical, his inspirations are anything but predictable. Early on, he was drawn to the controlled chaos of HIM’s Ville Valo, Marilyn Manson, and Avenged Sevenfold. Now, as he matures in his artistry, he finds himself gravitating toward innovators like Ludovico Technique, Wednesday 13, Baby Jane, and Kim Dracula—artists who push the boundaries of genre and expectation.
A Visual Artist’s Approach to Music
Before music, Bryce’s artistic expression came in the form of visual storytelling. As a child, he created comic books, later transitioning into animation and even running a small business selling his work at local events. He honed his craft further by completing a one- year college program in VFX and animation.
This background bleeds into his music career in a powerful way. For Bryce, visuals are just as important as the sound itself. Whether it’s cover art, promotional material, or live aesthetics, he strives to leave an impression—one that makes people stop and think, “Wait... what did I just see?” It’s all part of his commitment to crafting an experience, not just a song.
Harnessing the Energy of a Crowd
Live performances are still a new frontier for Bryce, but one thing is certain—he thrives off the energy exchange between artist and audience. He describes it as something almost supernatural, a phenomenon reminiscent of the legend of energy vampires—beings that feed on energy rather than blood.
Though his performances have so far been limited to small venues and cover songs, he’s already found a love for that magical moment when the crowd truly feels what he’s delivering. The way the room reacts, the shared pulse between performer and listener—it’s an intoxicating experience that he’s eager to explore further.
A Message to the Listeners
For Bryce, music isn’t just sound—it’s the closest thing to real magic. And his fans? They’re more than just listeners; they’re a community, a force that fuels his artistic journey.
To those dreaming of starting their own musical journey, his advice is simple: there’s no rulebook. Music is vast, and somewhere out there, there’s an audience for every sound. You just have to find them. And if Bryce’s journey has proven anything, it’s that even the most unconventional paths can lead to something extraordinary.
